ANIKAYA – Dance Diplomacy

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    • Conference of the Birds
    • The Women Gather
  • Anikaya intensives
        • Conference of the Birds
        • The Women Gather
        • Lilith
        • ANIKAYA Birds Intensive
        • Run Like a Girl
        • Waterfall
        • Migrations
      • Delicateness in Times of Brutality
      • He Who Burns
      • The Knocking Within
      • Entangling
      • The Deep
      • Forest
      • Dance Film Haiku Project
    • Who We Are
    • Where we Are
    • In Your Words
    • Annual Reports
    • anikaya intensives
    • Sign up for the Newsletter
    • Contact Us
  • Calendar
  • Dance Diplomacy Blog
  • Donate
    • Conference of the Birds
    • The Women Gather

He Who Burns

  • Performance

An exploration of the figure of Iblis, ​
the greatest monotheist, the greatest Lover​
a journey in dance, text and music ​
from the time before time ​
through his separation from his Beloved​
his quest for the same​
through to his ecstatic annihilation

​He Who Burns is an exploration through dance, text and music of the figure of Iblis, Satan, as understood in some Sufi traditions. Through this lens, the dance-theater piece explores the nature of humanity’s relationship with the divine, the eternal quest for unity and the illusion of duality in the human experience.​

He Who Burns takes our notion of good and evil, the divine and the satanic, and turns it on its head. Staged as a trio, He Who Burns takes us on a journey from the time before time, through the suffering of Iblis in his separation from his Beloved, and his quest for the same, through to his ecstatic annihilation.

The performance at once parallels the Sufi quest, as outlined in the great Sufi text, “Conference of the Birds,” and the structure of the Bharata Natyam performance. The text, from the Persian, Arabic and Urdu of Al-Hallaj, Faiz Ahmed Faiz, Mohammed Iqbal, Al Ghazzali, Hafiz and Maulana Jelaluddin Rumi, is performed in Urdu and English.

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